There are some stories that feel dated, but overall it’s not too bad. This is a compilation of short stories, whose theme seems to be “god” or “gods.” The death of gods, little gods, new gods, modern gods. He’s definitely unique, and I don’t think I’ve read anything that touches him.

This is, however, the first time I’ve actually read anything by him (of course I’ve seen things that he’s written screenplays for). I know who he is, I’ve heard the rumors, the gossip, the cool talk about him. I read this for 12 Grandmasters in 2012 challenge. These hallucinatory tales show idolatry for what it is-unfortunately, without offering any solution. Gaiman explored it with brilliance while Ellison used it as the lietmotif in this collection of short stories.From a Christian perspective, Deathbird Stories invites some interesting thoughts about the nature of belief and modern forms of idolatry. The concept that a god is only alive insofar as he or she is worshiped is a fascinating idea to explore. I suppose, when writing a book about all the gods people follow today (the gods of the freeway, the coaxial cable, the paingod, the god of neon, the rock god, the god of smog and even the god of Freudian guilt), you should expect trouble.I tracked this volume down through after learning it was the inspiration behind Neil Gaiman's American Gods and Anansi Boys. Ellison lacks the restraint that most human beings come by instinctively. This not is intended most sincerely, and not as hyperbole' (xii).The first story was troubling enough to make me question whether or not I should have bought the book.

The emotional content of these stories, taken without break, may be extremely upsetting. The warning at the start of the book set the tone well:'It is suggested that the reader not attempt to read this book at one sitting.

Deathbird Stories by Harlan Ellison